Kinoton FP 38 E

The Kinoton FP 38 E is a dual guage projector capable of projecting both 35mm and 16mm film.

• film break sensors + workarounds

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16mm Threading

Sound Sync

To ensure that 16mm sound and image are projected in proper sync, you will need to determine the exact number of sprocket holes your projector likes its latham loop to have. This may require some experimentation with test reels.

Threading Procedure

Close-up on the threading around the 16mm soundhead and coming out of the aperture gate past the bottom film break sensor.

1. Turn the projector on with the switch at the base. Make sure the tension is set for 16mm and is turned off. Place feed reel on the top spindle and close the spindle. The film should be coming off of the right/top side of the reel. On sound film the sprocket should be facing towards you and the soundtrack should be facing away from you. Remember that when threading up or rewinding 16mm, the film should coming off over the feed reel and over the top of the take up reel making an “D” shape.

1. Thread up according to the images at right. To get the correct tension around the 16mm sound unit, pull the film as tight as it will go. Loosen it just enough that it lock on the sprockets and then loosen is one sprocket hole.

1. To achieve sound and picture sync, make sure the distance from coming off of the feed sprocket to the top of the film pressure skate/track key is the proper number of sprockets long (see above).

1. Close the spindle on the take up reel Make sure the take up reel is the same size as the feed reel. Turn the tension on and make sure that the film break sensors aren't triggered.

1. Double check your threading. Make sure that the spindles are closed, the tension is on and engaged, you can feel the teeth of the gears through the sprocket holes, the film is sitting in the rollers (especially those around the sound head!), and the correct running speed is selected (both the variable speed control and the 24 or 25fps button). Finally, make sure the lamp is turned on, the lens is in place , and the proper sound format has been chosen. You are now ready to project. Go for it!

Switching the Projector from 16mm to 35mm

1. Make sure the projector is turned off before starting. If it’s not turned off, the sound won’t switch over to the new format and you could accidentally cut yourself since the fan will still be spinning (this has actually happened!) If you switch the toggle switch on the front operating panel without turning off the projector, you will not have sound in the new format and it will be running at the wrong speed. If this happens you will have to stop the projector motor, turn off the projector, wait a couple of seconds and turn the projector back on.

1. Switch the lamp switch lever on the back of the lamphouse all the way to left. Make sure you turn it all the way until it stops. The lamp switch lever changes the focal length of the beam of light from the lamp, so forgetting to change this will cause an incorrect light level on screen. (Note: Some lamphouses may not have this option).

1. Change the tension setting on the for the feed reel on the back of the projector (it's the knob on the right) – all the way to the right for 16mm and one from the right for 35mm.

1. Switch the toggle switch on the front operating panel to the top. (Note: exact location may vary - it may be on the front of the projector or somewhere else). The projector must be turned off for the projector to reset in the new format. The toggle switch resets which soundhead the projector uses.

1. Change the reel shaft at the top and bottom of the projector using a hex wrench. The 16mm reel shafts have the thicker base than the 35mm. Make sure that they are on as tight as possible since if the feed reel shaft if loose, the reel and shaft could fall off damaging the reel, tearing the film and possibly landing on your head (this has actually happened!!)

1. Insert the two 16mm insets in the pad shoes. Be sure that the side of the 16mm inset with two ridges is facing towards you. If these are not put in for 16mm, you will immediately lose the film loops and if they are left in for 35mm, the pad shoe will not shut over the 35mm film.

1. Take off the 35mm lens, plate and film pressure skate.

1. Open the shutter housing (make sure the projector is turned off!). Remove the 35mm Academy or 35mm silent heat protection aperture. Insert the 16mm heat protection aperture. Forgetting to insert the 16mm heat protection aperture will allow the light from the lamp to melt the 16mm film pressure skate (which costs about $250!) Replace the shutter housing.

1. Put in the 16mm film track key. (Make sure you feel the ka-chunk!)

1. Place on the 16mm film pressure skate.

1. Put on the 16mm lens.

1. You can now turn on the projector and thread up for 16mm.

For 16mm to 35mm follow the same order but change everything to 35mm.

• Handy instruction sheet for converting the FP 38 E from 35mm projection to 16mm projection (via Full Aperture Systems).

Booths using this projector

• Gene Siskel Film Center, Chicago, IL - paired with a Kinoton FP 30 E in Theater 2.
• University of Chicago Film Studies Center, Chicago, IL - dual FP 38 Es at Cobb Hall location.
• Block Cinema at Northwestern University, Evanston, IL - dual FP 38 Es