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[[File:Negative Splice.jpg|right|thumb|700px|Negative splices in MAME (Gene Saks, 1974, left) and I STILL KNOW WHAT YOU DID LAST SUMMER (Danny Cannon, 1998, right). In anamorphic projection, a poorly made negative splice may be visible on screen if the film isn’t perfectly framed or the projector’s aperture plate is over cut.]] | [[File:Negative Splice.jpg|right|thumb|700px|Negative splices in MAME (Gene Saks, 1974, left) and I STILL KNOW WHAT YOU DID LAST SUMMER (Danny Cannon, 1998, right). In anamorphic projection, a poorly made negative splice may be visible on screen if the film isn’t perfectly framed or the projector’s aperture plate is over cut.]] | ||
If | If Scope, Movietone, full aperture, or 70mm films are projected slightly out of frame, if the projectors' aperture plates are overcut, or if a film has sloppily made negative splices, white flashes will appear at the top and/or bottom of the frame at every shot change (sometimes several dozen times over the course of a reel!). Care must be taken to monitor framing closely, as the exact location of these splices can change from reel to reel depending on how the film was printed. | ||
The standard aspect ratio for scope films was eventually changed from 2.35:1 to 2.39:1 to account for thicker splices, which is helpful but does not fully eliminate the problem. | The standard aspect ratio for scope films was eventually changed from 2.35:1 to 2.39:1 to account for thicker splices, which is helpful but does not fully eliminate the problem. |
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