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Aspect ratios: Difference between revisions
Linked to Movietone page
JesseCrooks (talk | contribs) (→35mm: Added info for 1.19, added 1.75 and 2.00.) |
JesseCrooks (talk | contribs) (Linked to Movietone page) |
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| 1.33:1 || Silent / Full Frame || 1907 || || | | 1.33:1 || Silent / Full Frame || 1907 || || | ||
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| 1.19:1 || Movietone || 1926 || || Often projected with 1.37 lenses and aperture plates in theaters without properly sized 1.19 lenses and plates; however, doing this will chop off a substantial portion of the height of the image. In auditoriums with fixed-height screens, 1.19 can be adequately presented by removing the anamorphic attachment from the spherical lens used for 2.39 and using that in conjunction with the 2.39 aperture plate. | | 1.19:1 || [[Movietone]] || 1926 || || Often projected with 1.37 lenses and aperture plates in theaters without properly sized 1.19 lenses and plates; however, doing this will chop off a substantial portion of the height of the image. In auditoriums with fixed-height screens, 1.19 can be adequately presented by removing the anamorphic attachment from the spherical lens used for 2.39 and using that in conjunction with the 2.39 aperture plate. | ||
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| 1.37:1 || Academy ratio || 1932 || || Sometimes incorrectly called 1.33. Was used well past 1953 in some countries outside of the US. See also: [[List of 35mm features released in 1.37 after 1953]]. | | 1.37:1 || Academy ratio || 1932 || || Sometimes incorrectly called 1.33. Was used well past 1953 in some countries outside of the US. See also: [[List of 35mm features released in 1.37 after 1953]]. | ||