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*Reversal prints (stock no longer manufactured, 16mm only) | *Reversal prints (stock no longer manufactured, 16mm only) | ||
*Prints with magnetic soundtracks | *Prints with magnetic soundtracks | ||
*Discontinued [[ | *Discontinued [[Film stock|stocks]] such as Kodak 2393, Fuji, Orwocolor | ||
*Prints with no [[pre-print element|protection elements]]. There may not be a financial incentive for a studio to strike a new print if one is damaged or destroyed. | *Prints with no [[pre-print element|protection elements]]. There may not be a financial incentive for a studio to strike a new print if one is damaged or destroyed. | ||
Revision as of 11:49, 17 February 2019
A 35mm Print of a Feature Film can cost anywhere from $2000-20,000, the workflow to create restored internegatives can cost many times that.
CAMERA ORIGINAL>>>ANSWER PRINT & SUBSEQUENT RELEASE PRINTS
CAMERA ORIGINAL>>>INTERPOSITIVE>>>INTERNEGATIVE>>>RELEASE PRINT
CAMERA ORIGINAL>>>DIGITAL INTERMEDIATE>>>INTERNEGATIVE>>>RELEASE PRINT
DIGITAL MASTER>>>INTERNEGATIVE>>>RELEASE PRINT
DIGITAL MASTER or DIGITAL INTERNEGATIVE >>>“DIRECT PRINT”
Irreplaceable Prints
- IB Technicolor
- Timed answer prints from the original camera negative
- Reversal prints (stock no longer manufactured, 16mm only)
- Prints with magnetic soundtracks
- Discontinued stocks such as Kodak 2393, Fuji, Orwocolor
- Prints with no protection elements. There may not be a financial incentive for a studio to strike a new print if one is damaged or destroyed.
Only a handful of labs left in the world printing and processing motion picture film. Only one lab in the US doing laser subtitles