Welcome to Sprocket School! This project is maintained by volunteer editors. Learn more about how this works. |
Eastman 25: Difference between revisions
Jump to navigation
Jump to search
mNo edit summary |
No edit summary |
||
Line 1: | Line 1: | ||
The differences between Eastman models 25, 25 B, 25 C, 30, and 40 are primarily cosmetic. Mechanically, they are very similar. The Model 30 was originally intended for use with tungsten lamps and the Model 40 for use with xenon lamps. | The differences between Eastman models 25, 25 B, 25 C, 30, and 40 are primarily cosmetic. Mechanically, they are very similar. The Model 30 was originally intended for use with tungsten lamps and the Model 40 for use with xenon lamps. Many of these machines were used as dailies machines in television studios, and are now sought after for 16mm exhibition in cinemas. | ||
==Images== | ==Images== |
Revision as of 12:04, 4 April 2017
The differences between Eastman models 25, 25 B, 25 C, 30, and 40 are primarily cosmetic. Mechanically, they are very similar. The Model 30 was originally intended for use with tungsten lamps and the Model 40 for use with xenon lamps. Many of these machines were used as dailies machines in television studios, and are now sought after for 16mm exhibition in cinemas.
Images
Threading
-
Image from the Eastman 25 manual.
-
Booths using this projector
- Anthology Film Archives, New York, NY
- Black Cinema House, Chicago, IL
- Doc Films at the University of Chicago, Chicago, IL
- Museum of Contemporary Art, Chicago, IL
- Indiana University at Bloomington Moving Image Archive, Bloomington, IN
- Music Box Theatre, Chicago, IL
- Capitol Theater, Olympia, WA
- School of the Art Institute of Chicago, Department of Film, Video, New Media, and Animation screening rooms
- Gene Siskel Film Center, Chicago, IL
- Shotgun Cinema, New Orleans, LA