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Experimental film: Difference between revisions
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* Projecting the leader or not? (cf. [http://www.lostleaders.ca lostleaders.ca]) | * Projecting the leader or not? (cf. [http://www.lostleaders.ca lostleaders.ca]) | ||
* Focus complications | * Focus complications | ||
* tell [[film base]] from emulsion | |||
[[Category:Showmanship]] | [[Category:Showmanship]] | ||
[[Category:Technique]] | [[Category:Technique]] | ||
[[Category:Film prints]] | [[Category:Film prints]] | ||
Revision as of 12:11, 4 April 2017
Presenting experimental film requires the projectionist to expand their awareness of the medium just as much (if not more) than the viewer.
- Often small gauge
- Variable speed?
- Prepping for programs of shorts (keeping careful track of "last image" and whether or not there's sound)
- Awareness of the desires of the filmmaker: do they want a silent track played with sound? Are there notes on or in the can?
- Dual projection
- Lack of frame lines
- Projecting the leader or not? (cf. lostleaders.ca)
- Focus complications
- tell film base from emulsion