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List of analog film exhibitors

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Revision as of 16:04, 10 February 2014 by Rfhall (talk | contribs) (→‎Pennsylvania)
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A list of exhibitors who intentionally show films on film to the public — cinemas, movie theaters, festivals, museums, and itinerant groups.


The list includes exhibitors who show a mix of film and digital and exhibitors who only occasionally show film, as well as exhibitors who show 16mm or other small gauge film but not 35mm (in other words, the target audience of Sprocket School!) The list excludes exhibitors who show film only because they have been unable to convert.


  • Get in touch if you have a suggestion, correction, or update: info@sprocketschool.org
  • A much more detailed version of this list is available as a Google Docs spreadsheet. Request access by emailing info@sprocketschool.org


External Resources

United States

Alabama

Alaska

Arizona

Arkansas

California

Colorado

Connecticut

Delaware

District of Columbia

Florida

Georgia

Hawaii

Idaho

Illinois

Indiana

Iowa

Kansas

Kentucky

Louisiana

Maine

Maryland

Massachusetts

Michigan

Minnesota

Mississippi

Missouri

Montana

Nebraska

Nevada

New Hampshire

New Jersey

New Mexico

New York

North Carolina

North Dakota

Ohio

Oklahoma

Oregon

Pennsylvania

Puerto Rico

Rhode Island

South Carolina

South Dakota

Tennessee

Texas

Utah

Vermont

Virginia

Washington

West Virginia

Wisconsin

Wyoming

Australia

Austria

Belgium

Brazil

  • Curta 8 (Super 8 Film Festival) - Curitiba, Paraná

Canada

Alberta

British Columbia

Manitoba

New Brunswick

Newfoundland and Labrador

Nova Scotia

Ontario

Prince Edward Island

Quebec

Saskatchewan

Northwest Territories

Nunavut

Yukon

China

Czech Republic

  • KRRR! (at the Kino Mír 70) - Krnov

Denmark

Finland

France

Germany

Greece

Ireland

Italy

Japan

Netherlands

Slovakia

Slovenia

South Korea

Spain

Sweden

Switzerland

United Kingdom

Exhibitors without borders

Methodology

This list was compiled from many sources: news articles, theater websites, film listings, and social media, as well as correspondence with filmgoers and projectionists, technicians, programmers, and others employed by exhibitors. Many thanks to everyone who’s written in with suggestions.

We try to be accurate, but mistakes are always possible.