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Archival prints: Difference between revisions
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One of the roles of the projectionist in the 21st century is to protect the print and ensure its longevity regardless of whether it is archival or not. Remember, it’s not your property, it’s merely in your care temporarily. | One of the roles of the projectionist in the 21st century is to protect the print and ensure its longevity regardless of whether it is archival or not. Remember, it’s not your property, it’s merely in your care temporarily. | ||
==See Also== | ==See Also== | ||
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*[[Archives]] | *[[Archives]] | ||
*[[Best practices]] | *[[Best practices]] | ||
==External Resources== | |||
* [http://anthologyfilmarchives.org/pdfs/AFA_Print_Loan_Policy.pdf Anthology Film Archives print loan policy] | |||
* [http://www.oscars.org/filmarchive/forms/filmarchive-venuereport.pdf Academy Film Archive venue report form] | |||
* [http://www.libraries.iub.edu/index.php?pageId=1002892 Indiana University Film Archives Print Loan Policy & Procedures] | |||
* [http://www.cinema.ucla.edu/collections/print-loan-policy UCLA Film & Television Archive print loan policy] | |||