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List of post-2000 films made without a digital intermediate
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List in progress. This list is limited mainly to "mainstream" features, where prints made through a DI would be considered normal workflow. For the purposes of this list, "Digital Intermediate" refers to image only, rather than image and sound. This list DOES include films that used a DI for effects shots but were otherwise finished photochemically.
2001
- ARTIFICIAL INTELLIGENCE: AI (Steven Spielberg, 2001) unconfirmed
- THE CURSE OF THE JADE SCORPION (Woody Allen, 2001)
- THE MAN WHO WASN'T THERE (Joel Coen, Ethan Coen, 2001)
- MOULIN ROUGE (Baz Luhrmann, 2001) unconfirmed
- TROUBLE EVERY DAY (Claire Denis, 2001)
2002
- FRIDAY NIGHT (Claire Denis, 2002)
- GANGS OF NEW YORK (Martin Scorsese, 2002) unconfirmed
- HOLLYWOOD ENDING (Woody Allen, 2002)
- INSOMNIA (Christopher Nolan, 2002)
- LAUREL CANYON (Lisa Cholodenko, 2002)
- MINORITY REPORT (Steven Spielberg, 2002) unconfirmed
- PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)
2003
- ANYTHING ELSE (Woody Allen, 2003)
- HULK (Ang Lee, 2003)
- MYSTIC RIVER (Clint Eastwood, 2003)
2004
- INTRUDER, THE (Claire Denis, 2004)
- MELINDA AND MELINDA (Woody Allen, 2004)
- MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed
2005
- BATMAN BEGINS (Christopher Nolan, 2005) IMAX Prints went through DMR for 35mm scenes
- BROKEBACK MOUNTAIN (Ang Lee, 2005) Release prints on Fuji stock
- MATCH POINT (Woody Allen, 2005)
- MUNICH (Steven Spielberg, 2005)
2006
- SCOOP (Woody Allen, 2006)
- THE PRESTIGE (Christopher Nolan, 2006)
2007
- CASSANDRA'S DREAM (Woody Allen, 2007)
- THERE WILL BE BLOOD (Paul Thomas Anderson, 2007)
2008
- VICKY CRISTINA BARCELONA (Woody Allen, 2008)
2009
- DARK KNIGHT, THE (Christopher Nolan, 2008) IMAX Prints went through DMR for 35mm scenes
- WHATEVER WORKS (Woody Allen, 2009)
2010
- YOU WILL MEET A TALL DARK STRANGER (Woody Allen, 2010)
- INCEPTION (Chirstopher Nolan, 2010)
2012
- DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes
- MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI
2014
- TRANSCENDENCE (Wally Pfister, 2014)
- INTERSTELLAR (Christopher Nolan, 2014) IMAX prints went through DMR for 35mm scenes; 35mm prints went through a DI for IMAX scenes only; 5-perf 70mm prints were entirely photochemical.
2015
- THE HATEFUL EIGHT (Quentin Tarantino, 2015)